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a model's measurements are scanned. then, after adjustments are made, a 3-d body is created,ugg can angela merkel fix europe's economic crisis, followed by the final mannequin form.

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"every single one of our mannequins is based on thousands and thousands of body scans of real people. and when we go to our database, we have empirical evidence that backs up what real women out there who are 8 or 10 really look like." gribbin says. "there is no perfect anything. we are so diverse that in any given size, there are probably four or six different body types that are represented."


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alvanon is the largest maker of mannequin body forms in the world. the manhattan-based company uses a device called alvascan to create these forms — which are then used to create clothing sizes. "we are so diverse that in any given size, there are probably four or six different body types that are represented,nike women shoes," says the company's president, ed gribbin.
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the company is the largest maker of mannequin body forms in the world. these mannequins are important because they are the template for clothing makers to create sizes. alvanon works with brands to expand the number of people it can dress by focusing on not only size numbers but also body shapes. clients include brands like nike, target, levi's, j.c. penney, rei, the north face, lacoste and hugo boss.

gribbin says every single human being is asymmetrical; everyone has one shoulder higher than another, one bicep or thigh larger than the other. plus, he says, different ethnicities are shaped differently.
gribbin says color may be the no. 1 reason shoppers gravitate toward a garment, "but fit is the no. 1 reason people buy it [or] return it, and it's the no. 1 reason they go back to a particular brand."

are you size 4? a 6? an 8? often women shoppers don't know. and they can actually be all those sizes without gaining or losing an ounce.

before alvanon's alvascan, size was a clothing company's interpretations of measurements — not based on empirical evidence on how the body is shaped. companies typically used live models to make and tailor their clothes, and some still do.

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alvanon has built the largest global database of body measurements, often placing the scanners in retail stores or malls.
and that's what alvanon does, gribbin says.
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and that's why brands don't share information on sizing and instead guard their "secret sauce" ferociously. even if it means their size 4 is really a 6 or a 2 somewhere else.
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alvanon uses a device called alvascan to create their mannequin forms. developed in 2001,davidoff perfumes in india, spreading a green gospel among p, it's a booth of sorts where a fully clothed person steps in,nike free run dk news  u.s. and world news headlin, and a full-body laser scanner moves up and down to capture accurate measurement data in seconds. the data is transferred to a computer and used to create a 3-d virtual body, the starting point for making a mannequin.
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"the asian body shape is different than a western body shape in balance and distribution," gribbin says. "so even if the measurements are the same, the asian body is skeletally wider left to right but shallower front to back than a western body with the same measurements."

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desai says the idea for the story came to her while she was walking through a museum — the objects, taken from their original homes, seemed orphaned. "having been removed from where they belonged, where they'd been made, they had lost the quality of life," she says. "they all were just objects — shut up in glass cases, which made me wonder: what makes people collect such objects? what can it mean to anyone?"
"i realized that all translators, they all long to be writers themselves," desai explains. "if they didn't have that longing, they probably wouldn't be very good translators, but a lot of them do have that creative urge — and my character perma joshi simply gets carried away with that."
in the second story, a professor named perma joshi translates a novel from an indian language — and finds that she loves how powerful it makes her feel. desai says she based the story on translators that she has known over the years.
by npr staff

novelist anita desai is a professor of humanities at the massachusetts institute of technology. she has also written journey to ithaca,issey miyake for women, village by the sea and clear light of day.
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"he's never really entered the adult world, and he retains the child's point of view," desai explains. "he never really thinks of himself as an artist. he has no desire to reveal it to the outer world. he simply doesn't have those adult impulses and ambitions."

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novelist anita desai is a professor of humanities at the massachusetts institute of technology. she has also written journey to ithaca, village by the sea and clear light of day.
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anita desai's new collection of stories, the artist of disappearance, reads a bit like three symphonic movements in a minor key. they're three novellas, set in modern india,ugg ブーツ オーストラリア, where the past is giving way. in one story, a government official inspects the forgotten treasures left behind in a fated mansion. in another story, a translator becomes a little too creative; and in the third, a man living in solitude finds his world upset by roving visitors.


desai certainly thinks so: "all of us who have ever written, composed music [or] painted know that when we performed these acts, we are not in touch with the world, we are completely withdrawn from it and in our own world. we are re-creating an inner world."


december 10, 2011

in "museum of final journeys," a civil servant is called in to appraise an old collection of antiquities. they are not works of art per se — there are globes and travel posters, stuffed birds and lizards, masks, daggers, scrolls, bells and clocks long broken. the civil servant calls it a "gloomy storehouse of abandoned, disused, decaying objects"; he says he wishes to "break free and flee."


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desai was pleasantly surprised when her daughter became a writer. "all my children told me they never wanted to become writers," desai recalls. "they said, 'you lead such a boring life. we don't want to live like you do.' "
read an excerpt of the artist of disappearance
in the final story in the collection, a character named ravi is living a hermit-like existence — working on a splendid rock sculpture hidden in the himalayan foothills.
there are no car chases or explosions — just the drama of people confronting themselves. desai,mulbery, has written more than a dozen novels and collections, and has been shortlisted three times for the booker prize. she talks with npr's scott simon about the origins of her three stories.

jerry bauer/houghton mifflin harcourt
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anita desai always told her daughter that she wrote wonderful letters, but it wasn't until kiran's college professors encouraged her to write that she really took it seriously. now the mother and daughter write together, in the same house. "it's wonderful to be able to talk about our work, about each other's work, about the books we are reading," desai says.
by anita desai
desai says she's never felt that her own work was translated unfaithfully, but her daughter, booker prize-winning novelist kiran desai, once wrote a very funny book that, when translated into scandinavian languages,ugg 子供用, didn't make anyone laugh. "there was no humor left in it whatsoever," desai says.
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‘complementary kids’ is aimed at parents who seek more knowledge and information on preventative medicine for their children. this episode looks at asthma a common chronic inflammatory disease of the airways and the alternative remedies available.

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